This statue of Thomas Jefferson was the first full-length portrait statue placed in the U.S Capitol Building. Its bronze medium was unusual in early 19th-century America, where sculpture was more commonly carved in marble.
Thomas Jefferson is depicted in his best known role as author of the Declaration of Independence. He stands in a dynamic contrapposto pose with his right hand holding a quill pen. The pen's tip points to Jefferson's left hand, which holds the Declaration of Independence. Jefferson's famous words, which are readable, were created by pressing type into the statue's clay model. Two bound books—perhaps representing the collection that he donated to the Library of Congress—and a wreath, a symbol of victory, lie at his feet. The statue's pedestal is composed of marble and granite, in contrasting colors. The front inscription reads "JEFFERSON."
The statue of Thomas Jefferson was privately commissioned by Uriah Phillips Levy as a gift to the American people. A lieutenant in the Navy, Levy admired Jefferson's politics, social philosophies and views on religious freedom; he held Jefferson in such esteem that in 1836 he purchased Monticello, which had been neglected, and restored it.
The statue was sculpted in France by Pierre-Jean David d'Angers and cast by Honoré Gonon and Sons using the lost-wax technique. On March 21, 1834, the statue was placed in the center of the Capitol Rotunda. Members of the House of Representatives expressed concern regarding the acceptance of the statue as a gift, its placement and the use of bronze rather than the more traditional marble.
Over the next decade, the statue was variously displayed in the Capitol Rotunda and other areas of the building, while never being formally accepted by the Congress. Beginning in the mid to late 1840s, it was displayed on the grounds of the White House. Years later, its neglected condition attracted attention and led to renewed interest in its history. In 1874, the Congress passed a resolution to accept the statue and appropriated funds for its repair. After restoration, the statue was placed in National Statuary Hall and, in 1900, it was moved back to the Rotunda, where it has remained.
Pierre-Jean David, usually called David d'Angers, was on born March 12, 1788, in Angers, France. As a young man, he worked in the Paris studio of sculptor Philippe-Laurent Roland. In 1811, he won the Prix de Rome, which funded study in Rome. While in Italy he studied the antiquities and met sculptor Andrea Canova. Both Canova and Roland worked in the neoclassical style, but d'Angers was innovative in his naturalism and romanticism. In 1826, d'Angers was appointed professor of the French art academy, the École des Beaux-Arts. He was a prolific artist, creating numerous monuments, portrait busts and profile medallions.
His other works in the Capitol include busts of President George Washington and General Lafayette. d'Angers' republican beliefs resulted in his exile after Napolean III's coup d'état in 1851, but he returned to France in 1853 and died there in 1856.
