Norman E. Borlaug Statue

This statue of Dr. Norman E. Borlaug was given to the National Statuary Hall Collection by Iowa in 2014.

Norman Ernest Borlaug was born on March 25, 1914, on a farm near Cresco, Iowa. An energetic and inquisitive youth, he completed high school—unusual in that place and time—and then worked his way through the University of Minnesota. He never forgot his arrival in Minneapolis–St. Paul in 1932 during the Great Depression, when hungry, desperate people begged for food and were near rioting; that memory and his 1935 experience in the Civilian Conservation Corps, where many of the people who worked under him were starving, would have a profound influence on his life's work.

After receiving a bachelor's degree in forestry, he worked for the U.S. Forest Service in Massachusetts and Idaho and then returned to his alma mater, earning a master's degree in 1940 and a doctorate in plant pathology and genetics in 1942. He worked first as a microbiologist investigating fungicides and preservatives for the du Pont de Nemours Foundation and then as a geneticist and plant pathologist for the Cooperative Wheat Research and Production Program, a joint project of the Mexican government and the Rockefeller Foundation; in the latter position he developed mutation techniques that adapted crops to specific climate regions. His accomplishments led to dramatic increases in crop yields in Latin America, the Near and Middle East, Africa, and Asia. This also helped reduce deforestation, for growing more food no longer required creating more farmland. Dr. Borlaug was later made director of the International Wheat Improvement Program, in which he taught research and production methods to young scientists. He established the World Food Prize Global Youth Institute to give high school students the opportunity to learn about food security and fighting hunger. He traveled to many famine-stricken regions around the world, working with scientists and governments to bring the benefits of agricultural science to local farmers. In 1984 he became a Distinguished Professor at Texas A&M University, a position he held for the rest of his life.

Throughout his career, Borlaug was well served not only by his education and intelligence but also by the capacity for hard physical exertion that he had developed as an Iowa farm boy and displayed as a star wrestler in high school and college. Prolonged time in the field was a major part of his work; in fact, he was working in a wheat field outside Mexico City when he learned that he was to receive the Nobel Prize. Characteristically humble, he first believed that the announcement was a joke. When convinced that it was true, he decided to keep working and celebrate later.

Borlaug remained active and interested in the challenge of feeding the world's increasing population throughout his life. For his achievements in this field, he became one of only three Americans (and seven people worldwide) awarded the Nobel Peace Prize (1970), the Presidential Medal of Freedom (1977), and the Congressional Gold Medal (2007). He was also recognized by humanitarian and professional organizations and by governments around the world, including honors from the United Nations, Canada, Mexico, Norway, Hungary, India, and Bangladesh as well as the United States. A wing of a science building at the University of Minnesota bears his name, as do a building at Texas A&M University and an Iowa City elementary school; the Dr. Norman E. Borlaug Hall of Laureates in Des Moines, Iowa, is the home of the World Food Prize, the organization Dr. Borlaug created to be the equivalent of a "Nobel Prize for food and agriculture." He was especially satisfied when the people of Ciudad Obregón in Sonora, Mexico, where he did some of his first experiments, named a street for him. He died at the age of 95 on September 12, 2009, at his home in Dallas, Texas.

The Statue

The seven-foot bronze statue of Dr. Borlaug depicts him at work in a field and is based on a photograph of him taken in 1964 near Ciudad Obregón as he checked the resistance of wheat plants to disease. He wears a narrow-brimmed hat for protection from the sun, a shirt with open collar and rolled sleeves, and work pants and boots. His gaze is focused in concentration; on his left arm he supports a clipboard and his right hand holds a pencil with which he records his observations. Stalks of wheat bend behind him in the breeze, growing from the earth of the self base on which he stands. The front of the Iowa limestone pedestal carries the main inscription:

IOWA
DR. NORMAN E. BORLAUG
1914 – 2009
[Bronze replicas of three medals]
FATHER OF THE GREEN REVOLUTION

On the proper right side of the pedestal is inscribed "THE MAN WHO SAVED A BILLION LIVES"; on the proper left are listed the medals shown on the front:

NOBEL PEACE PRIZE
PRESIDENTIAL MEDAL OF FREEDOM
CONGRESSIONAL GOLD MEDAL

The statue of Dr. Borlaug was unveiled in National Statuary Hall on March 25, 2014, the centennial of his birth.

Artist

Benjamin Victor (1979- ) initially learned about art from his grandmother, an art professor. He first tried sculpting at Northern State University in South Dakota and fell in love with working in three dimensions. He won his first large commissions when he was still in college, including his first sculpture for the National Statuary Hall Collection. His other works in the U.S. Capitol are: Sarah Winnemucca (Nevada, 2005), Chief Standing Bear (Nebraska, 2019) and Daisy Bates (Arkansas, 2024). While these statues are all bronzes, he also carves marble and trained with a Florentine master stone carver.

Victor has received national and international recognition, including several awards from the National Sculpture Society. He is artist-in-residence and professor of the practice at Boise State University in Idaho. Victor also maintains a studio where he can carve marble and execute many of the elements in the bronze casting process.

Victor works in both abstract and figurative styles. Even when creating a portrait sculpture, he prefers a conceptual approach, focusing on the spirit of the person and the reason the portrait was commissioned. He edits and refines a sculpture at each step of the modeling process.