National Statuary Hall in the U.S. Capitol Building is built in the shape of an ancient amphitheater and is one of the earliest examples of Greek revival architecture in America. While most wall surfaces are painted plaster, the low gallery walls and pilasters are of sandstone.

Around the room's perimeter stand colossal columns of variegated Breccia marble quarried along the Potomac River. The Corinthian capitals of white marble were carved in Carrara, Italy. A lantern in the fireproof cast-steel ceiling admits natural light into the Hall.

The chamber floor is laid with black and white marble tiles; the black marble was purchased specifically for the chamber, while the white marble was scrap material from the U.S. Capitol extension project. The four fireplaces on the south side of the room, in conjunction with an ingenious central heating system, warmed the room during cold months.

Only two of the many statues presently in the room were commissioned for display in the original Hall of the House. Enrico Causici's neoclassical plaster Liberty and the Eagle looks out over the Hall from a niche above the colonnade behind what was once the Speaker's rostrum. The sandstone relief eagle in the frieze of the entablature below (pictured above) was carved by Giuseppe Valaperta. Above the door leading into the Capitol Rotunda is the Car of History by Carlo Franzoni. This neoclassical marble sculpture depicts Clio, the Muse of History, riding in the chariot of Time and recording events in the chamber below. The wheel of the chariot contains the chamber clock; the works are by Simon Willard.

Today, National Statuary Hall is one of the most popular rooms in the U.S. Capitol Building. It, and its collection of statuary from individual states, is visited by thousands of tourists each day and continues to be used for ceremonial occasions. Special events held in the room include activities honoring foreign dignitaries and presidential luncheons.

History

This chamber is the second built for the House of Representatives in this location. An earlier Hall, designed by Benjamin Henry Latrobe, was completed in 1807; however, it was destroyed when invading British troops burned the U.S. Capitol in 1814.

Latrobe Drawing, "Design proposed for the Hall of Representatives section from North to South" Dated 1815.

The Hall was rebuilt in its present form by Latrobe and his successor, Charles Bulfinch, between 1815 and 1819. Unfortunately, the smooth, curved ceiling promoted annoying echoes, making it difficult to conduct business. Various attempts to improve the acoustics, including hanging draperies and reversing the seating arrangement, proved unsuccessful. The only solution to this problem was to build an entirely new Hall, one in which debates could be easily understood. In 1850, a new Hall was authorized, and the House moved into its present chamber in the new House wing in 1857.

Many important events took place in this Chamber while it served as the Hall of the House. It was in this room in 1824 that the Marquis de Lafayette became the first foreign citizen to address Congress. Presidents James Madison, James Monroe, John Quincy Adams, Andrew Jackson and Millard Fillmore were inaugurated here. John Quincy Adams, in particular, has long been associated with the Chamber. It was here in 1824 that he was elected President by the House of Representatives, none of the candidates having secured a majority of electoral votes. Following his presidency, Adams served as a Member in the Hall for 17 years. He collapsed at his desk from a stroke on February 21, 1848, and died 2 days later in an adjoining room.

The fate of the vacated Hall remained uncertain for many years, although various proposals were put forth for its use. Perhaps the simplest was that it be converted into additional space for the Library of Congress, which was still housed in the U.S. Capitol. More drastic was the suggestion that the entire Hall be dismantled and replaced by two floors of committee rooms. Eventually, the idea of using the chamber as an art gallery was approved, and works intended for the U.S. Capitol extensions were put on exhibit; among these was the plaster model for the Statue of Freedom, which was later cast in bronze for the Capitol dome. The lack of wall space effectively prevented the hanging of large paintings, but the room seemed well suited to the display of statuary.

In 1864, Congress invited each state to contribute two statues of prominent citizens for permanent display in the room, which was renamed National Statuary Hall. The legislation also provided for the replacement of the chamber's floor, which was leveled and covered with the marble tile currently in the Hall. This modification, along with the replacement of the original wooden ceiling (which was painted to simulate three-dimensional coffering) with the present one in the early 20th century, eliminated most of the echoes that earlier plagued the room.

Initially all of the state statues were placed in National Statuary Hall. As the collection expanded, however, it outgrew the Hall, and in 1933, Congress authorized the display of the statues throughout the building for both aesthetic and structural reasons. Presently, 38 statues are located in National Statuary Hall.

The room was partially restored in 1976 for the bicentennial celebration. At that time, the original fireplaces were uncovered and replicas of early mantels were installed. Reproductions of the chandelier, sconces, and red draperies were created for the restoration project based on the 1822 oil painting by Samuel F.B. Morse, The House of Representatives, which now hangs in the Corcoran Gallery of Art. Bronze markers were placed on the floor to honor the presidents who served in the House of Representatives while it met there (example pictured above).